Hello,

We noticed you're browsing in private or incognito mode.

To continue reading this article, please exit incognito mode or log in.

Not a subscriber? Subscribe now for unlimited access to online articles.

Re-creating the Oscars

Materials science takes center stage.

MIT metallurgy know-how went into the creation of this year’s Oscars.

When the 89th annual Academy Awards are presented in February, the Oscar statuettes will have a particularly scientific shine, thanks to Richard Polich, SM ’65. ­Polich, who runs the fine-arts foundry Polich ­Tallix in upstate New York, used 3-D technology to replicate the original version of the coveted statuettes atop a modern base.

In 2015, Polich’s team began building this season’s statuettes by creating 3-D-printed forms based on digital scans of an original 1929 statue and a modern-era pedestal base. After using the forms to cast the statuettes in wax, they coated the wax statues in ceramic shells, which they cured and fired at 1,600 °F. In the process, the wax melted away, leaving empty Oscar-shaped forms. Next, the workers cast the statuettes in liquid bronze at more than 1,800 °F, cooled them, and sanded them to a mirrorlike smoothness. Then they electroplated the figures with 24-karat gold and applied black patina to their bases.

This story is part of the January/February 2017 Issue of the MIT News magazine
See the rest of the issue
Subscribe

Polich, who earned his MIT degree in metallurgy and worked with Professor Merton Flemings ’51, SM ’52, ScD ’54, at the MIT Foundry, was chosen to re-­create the Oscars because he had decades of successful experience with challenging fabrication projects. His work includes such massive sculptures as Jeff Koons’s gleaming stainless-steel Rabbit in 1986 and major public monuments including the Korean War Veterans Memorial in Washington, D.C., in 1995.

Polich Tallix artisans are returning to the original practice of casting in bronze after decades in which the Oscar statuettes were made from a pewter-like alloy. According to the academy, the process—from making individual wax models to polishing the bronzes—has restored subtle features of the original handcrafted statuette that sculptor George Stanley designed from sketches by MGM art director Cedric Gibbons, who himself won 11 Oscars. The statuette is still 13.5 inches tall, weighing in at 8.5 pounds.

Become an MIT Technology Review Insider for in-depth analysis and unparalleled perspective.

Subscribe today
MIT metallurgy know-how went into the creation of this year’s Oscars.
Next in MIT News
Want more award-winning journalism? Subscribe to Print + All Access Digital.
  • Print + All Access Digital {! insider.prices.print_digital !}*

    {! insider.display.menuOptionsLabel !}

    The best of MIT Technology Review in print and online, plus unlimited access to our online archive, an ad-free web experience, discounts to MIT Technology Review events, and The Download delivered to your email in-box each weekday.

    See details+

    12-month subscription

    Unlimited access to all our daily online news and feature stories

    6 bi-monthly issues of print + digital magazine

    10% discount to MIT Technology Review events

    Access to entire PDF magazine archive dating back to 1899

    Ad-free website experience

    The Download: newsletter delivered daily

/3
You've read of three free articles this month. for unlimited online access. You've read of three free articles this month. for unlimited online access. This is your last free article this month. for unlimited online access. You've read all your free articles this month. for unlimited online access. You've read of three free articles this month. for more, or for unlimited online access. for two more free articles, or for unlimited online access.

MIT News = for alumni only.

Are you an MIT alum?
Sign in now to read all MIT alumni news and class notes— or to manage your magazine subscription.

Sign in and read on