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An acoustic sensor vital to joint MIT-Mexico hurricane research is deployed off the coast of Isla Socorro by members of the crew of the Mexican research vessel Altair.
Credit: Srinivasan Jagannathan
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A half-mile below the ocean's surface, where giant squid and
sperm whales swim, hurricane-tossed seas sound like a low roar punctuated by
cannon blasts. Nicholas C. Makris, professor of mechanical and ocean
engineering and director of MIT's Laboratory for Undersea Remote Sensing, has
found a way to use the underwater audio signatures of hurricanes to predict the
storms' severity. The technique is as accurate as conventional methods, at a
fraction of the cost.
Examining data from 1999's Hurricane Gert, Makris found what
he calls "almost a perfect correlation" between wind speeds determined using
measurements from a hydrophone--the same kind of underwater microphone that
helped the U.S. Navy detect enemy submarines during the Cold War--and
measurements collected by U.S. Air Force aircraft. The hydrophone had been
placed by the National Oceanic and Atmospheric Administration to monitor
seismic activity along the mid-Atlantic ridge; Makris and his team found it
serendipitously while looking for existing data that might help them determine
whether hurricanes' sound and fury are aligned.
Makris envisions using boats or planes to drop arrays of
these cylindrical devices in the paths of advancing hurricanes as an
alternative to flying special planes directly into storms to gauge their
destructive power. Hurricane flights are dangerous and pricey: the planes run
about $75 million to build and $4,000 per hour to fly (monitoring a hurricane
typically requires 11 hours of flight). But they're considered necessary
because they offer crucial information about storm intensity that satellite
imagery cannot, Makris says. Four hydrophones called sonobuoys, dropped in a
200-mile arc by an accommodating commercial-ship crew on a routine crossing,
would cost about $4,000.
Makris aims to confirm his method's accuracy with data
collected from two permanent hydrophones placed last year near hurricane-prone
Isla Socorro off Mexico's
west coast. He is also exploring exactly what occurs between winds and waves at
the surface to create the underwater booms and crashes that characterize
hurricanes. All he knows for sure is that the low-frequency audio, barely
within the range of human hearing, is so evocative of being on the deck of a
storm-tossed ship that it makes him seasick just to listen to it.
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